Home > JETLAW > Vol. 16 > Iss. 3 (2020)
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Explaining the Art Market's Thefts, Frauds, and Forgeries (And Why the Art Market Does Not Seem to Care)Gregory Day
"What He Said." The Transformative Potential of the Use of Copyrighted Content in Political Campaigns--or--How a Win for Mitt Romney Might Have Been a Victory for Free SpeechDeidre A. Keller
The Institutional Progress ClauseJake Linford
Copyright, Plagiarism, and Emerging Norms in Digital PublishingJ. D. Lipton
Appropriation Without Representation? The Limited Role of Indigenous Groups in WIPO's Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge, and FolkloreVeronica Gordon
Implied Obviousness: Reevaluating the Jury's Role in Nonobviousness after Kinetic ConceptsMichael A. Silliman
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